
I find the choreography expressed in PDT (the short name for Tahira The Pure | Dance Theatre) amazing, and not just because I am the proud father of the founder. The freedom of dance means that it doesn’t have to exist in 4/4 time, or in “feet on a stage”, or in signature moves that define a choreographer. Dance itself gets redefined, so it occures while sitting on a chair, or in warehouse rafters, or wherever movement can occur. Even stillness purposefully becomes part of the dance, like pregnant pauses in speech, or the turning point in a screenplay. The choreography takes on a life of its own, and each dancer is challenged to become one, not just with the specific movements, but with the whole – to feel the rhythms, the story, the heart of the dance, and to express that in their own way through various parts of the whole.
I have heard that many film directors, in working with the best of the best in the industry, do not give actors full scripts, but concepts. “Here’s the scene, here is where we need to get to. I want you to develop the character, and work out the scene to that end”. Much of that acting, then is not just improv, but creative, drawn from the depths of the actors themselves. It is acting, redefined. PDT in some respects does the same with its dancers. “Here is the story, the heart and heartbeat, the focus of where we are going and where we will end up. I want you to feel what this means for you, and express this through your movement.” Dance, redefined.
As PDT polishes the final spots in their performance, there is such excitement and expectation over both what will occur on stage, and what will happen in the hearts of the audience. I can only agree with this, having had a preview of what the show will be.
Notable Notables:
Tahira The Pure |Dance Theatre: http://www.facebook.com/#!/TahiraPDT
Jnd Relations: http://www.facebook.com/#!/jnd.relations
M Production Company: www.mproductioncompany.com